MFi Certification and Overview of Features

About the KSE1500 DAC/Amplifier

Materials, Quality & Comfort

Electrostatic Driver Technology

An electrostatic driver (aka transducer) operates by placing a static charge directly onto a super-thin and nearly massless diaphragm. The diaphragm holds a continuous electrical charge and sits between two metal plates called stators to which the audio signal is applied. One of the stators will have the same charge as the diaphragm, and the other will have the opposite charge. The diaphragm will be pushed away by the place with the same charge, and then pulled toward the one with the opposite charge. When an audio signal is sent into the headphone or earphone, the signal of these metal plates switches back and forth at a high rate of speed, causing the diaphragm to stir and displace the air around it, which creates sound.

Electrostatic drivers differ from other driver types in that the diaphragm is the only moving part in the equation. In fact, it can be lighter that the air it is displacing!

Now, electrostatic headphones require specialized high-voltage amplification, which is why the KSE1500 comes with its own discrete amplifier. The bias voltage for the KSE1500 is 200 volts.

Sound Quality

"This is one of my all-time favorite IEMs. It's all about finesse and detail. The plucking of strings is just absolutely amazing."

Moon Audio founder Drew Baird, PE

This was not my first electrostatic headphone listening experience. I've listened to the Dan Clark Audio VOCE and the HIFIMAN Shangri-La Jr. And I've listened to IEMs with multiple driver types that include one or more e-stat drivers, such as the Empire Ears Odin and Empire Ears Valkyrie MK-II. But until the KSE1500, I had never listened to a single-driver electrostatic earphone.

Almost immediately after I started listening to the KSE1500 sound isolating earphones, I felt like I had been transported to a soundproof chamber. The only thing -- and I mean the only thing -- I was hearing was my music. No ambient office sounds, no cars whizzing by outside, no coworkers conversing down the hall. This both startled and delighted me. With absolutely no outside distractions, it was like I was hearing music in a whole new way. I should note that there were renovations happening in my building at the time of my review, and I did not hear any of it when I had these earphones in.

My first thought about the sound was how incredibly clear and present it was. There was absolutely no veil, no haze. Nor was there anywhere for any element of the music to hide. Everything that existed in a track was there for me to observe, take in, and dissect. It made me think of a face with no makeup: you see the features exactly as they are. Overall, I found the sound to be natural and pleasant but with a certain heft to it. This was not a light or delicate sound.

The bass on the KSE1500 was more robust than I expected. I would describe it as tight, defined, sometimes punchy. It lent enough fullness to my music such that it never sounded weak or thin. Now, I'm not someone who's looking for big, booming bass, but I do love a good bassline. Bass guitar is one of my favorite instruments; I love its tone, timbre, and texture. On several tracks that I listened to, I heard the bassline with incredible clarity, but never in a way that it became too prominent in the mix.

Mids were very revealing, starting with vocals. More about nuance than emotiveness or impact, they were highly natural, clear, and generally pretty forward. Listening to Elton John, I truly felt like he was singing directly into my ear, not that I was listening to a studio recording. There was great diction and texture. In tracks with multiple instruments happening at once, I found that the KSE1500 let them have their space, with nothing competing with anything else.

Electric guitars were about what I expected for an electrostatic headphone. With little distortion, they seemed to lack the bite or "dirtiness" to make them fully satisfying on heavier tracks from Led Zeppelin and David Bowie. "Hang On to Yourself" by Bowie, for example, sounded slightly anemic and sped up. But while the overall sound was a little thinner than I would like, I did find that the bassline was extremely tight and defined.

Highs on the KSE1500 were relaxed and pleasant while infusing my music with great energy and detail. Natalie Merchant's vocals, which can sound syrupy or too rich on a warmer headphone, were delightfully sweet and clear. I heard subtle mouth sounds and inhalations that I'm not used to hearing. To me, that's part of what makes music sound "real." And the higher-register piano on her "Beloved Wife" was a nice highlight in a track that has a fair amount of rich bass to it.

What I really loved with the KSE1500 was the amazing resolution and layering of sound. Whooshes and pops and clicks and mouth sounds were all there to complement the instrumentation. And the definition and separation of instruments was phenomenal. When I heard an acoustic guitar strum, it was as if I could count the individual strings.

On a classical track, Vangelis' "Conquest of Paradise," I was simply blown away by the expansiveness of the soundstage. The majestic sound swirled around me, giving me a feeling of flying through the music. The massed vocals sounded as clear as I have heard them. I don't know Latin, but the individual words were decipherable to me in a way they usually aren't. (File this under "you learn something new every day": Apparently the lyrics are "pseudo-Latin," aka Dog Latin.)

Create Your Own Sound Signature

A great feature of the KSE1500 is the four-band parametric EQ, which features four customizable settings and five presets: flat, low boost, vocal boost, loudness, and a "de-esser," which reduces sibilance. I had fun playing with these presets. To my ears, the "low boost," "vocal boost," and the "de-esser" produced the most noticeable differences in my music. Listening to vocalists whose voices had a lot of sibilance, I found that the "de-esser" really did mute some of those exaggerated "S" sounds. Low boost, meanwhile, provided a discernible bass boost in every track in which I tested it. Finally, vocal boost made singers' voices sound louder and more forward.

Each user-defined setting features four customizable EQ points (low shelf up to 630 Hz, two frequency-variable peaks, high shelf down to 800 Hz), allowing detailed personal control, shaping and tuning for different musical tone preferences.

The Verdict

Shure's years of development on the KSE1500 has yielded a truly remarkable audiophile product: an electrostatic earphone with Sound Isolating technology. If your ears appreciate detail, transparency, openness, and realism, you'll want to give the KSE 1500 a listen. You will be blown away by the intensely clear and natural sound. Electrostat novices should know that it's not going to sound like your typical dynamic or balanced armature IEMs. This is not a "fun" sound, nor is it for those who want a warm or bassy sound (although you do have the option of tweaking the sound via several EQ settings). It's not an analytical or sterile sound, either -- it's got some musicality and some life to it. Connect it to your phone or portable DAP or use it at home in a desktop scenario with an external DAC of your choosing. The KSE1500 is great for acoustic music, classical, jazz, blues, and folk music. If you want an electrostatic experience but don't want to be tethered to full-size headphones and amps, the KSE1500 is a wonderful option.

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