The CODA can produce some great, tight lower frequencies. Due to the more forward or analytical signature, I would say that if you're a bass head it's probably not going to produce the extra bass you desire without some additional help from filters and EQs. But it's accurate enough for the average user, and considering most music lovers are going to be utilizing the CODA as an alternative to the on-board DAC of their computer or mobile device, it's automatically going to be a huge jump in overall quality and fidelity.

Lots of times no matter the quality of the headphones, if the DAC does a poor job converting the data to an analog source, the audio is going to suffer. In other words, you'll know a good DAC when you hear it. SABRE chips do a phenomenal job at expanding the soundstage to provide better imaging and breadth to your music. The difference is like having blinders on; you're only seeing (or in this case hearing) half of the information that is actually there. How does this translate into your music? Well instead of hiding half of the music, a diminished soundstage is like squishing an orchestra closer together. It's going to sound more cluttered and indistinguishable, especially as the dB goes up. The CODA stretches the audio back out to give you a great spread of sound to where you can easily hear all the different instrumentals without having them compete for room.

The Clarus CODA really shines in the mid and high frequencies because of this soundstage. Overall balance is great and the mids never feel claustrophobic and the highs are impactful without sibilance. I'm greatly impressed with how the Clarus CODA tackles pretty much any genre with ease. The DAC provides great amount of energy in rock and metal music - guitars sound immersive and impactful. The CODA adds extension in the low end giving an added perception of bass without bloat. High frequencies are pleasant and have some top-end sizzle. A great sound overall for most listeners.